Satirical Nativity Displays at US Churches Offer Commentary on ICE
Throughout the United States, satirical holiday exhibits have appeared that mock hardline government immigration crackdowns. These scenes retell the classic Christmas story, portraying the newborn Jesus and his family, Joseph and Mary, as victims caught up in the tactics of immigration authorities.
An Evocative Retelling in Evanston
One powerful display at a church in Evanston, Illinois features the infant Christ lying in a manger out in the snow. However, the doll is covered by the type of thin, foil thermal blankets often distributed to those in custody and has its hands secured by plastic restraints.
Close by, the figure of the Virgin Mary stands outside the building, wearing a gas mask. This item has been used by protesters attempting protection from tear gas. She is flanked by representations of Roman soldiers, however in this display they are dressed in body armor labeled with the acronym “ICE.”
An Absent Holy Family
At another Chicago place of worship, the usual figures of Jesus, Mary, and Joseph are conspicuously absent from the traditional display featuring animals and wise men. In their place, a sign carries a direct message: “Because of ICE activity in our community the Holy Family is in hiding.”
“The holiday season is a period where we have public art in front of the church and we get an opportunity to say something,” said a senior minister involved with one of the installations.
Statements Spread Nationwide
These artistic statements are extensions of the visible part played by faith leaders in recent demonstrations against federal policies. Comparable political displays have been erected in multiple states.
In one New England state, a church took away the small statue of Christ from its creche. In its spot was a handmade notice that read: “ICE was here.” The parish are said to have stood defiant despite complaints from both diocesan and agency leadership.
Connecting Biblical Narrative and Modern Crisis
According to the creators of these displays, framing the ancient story of Christ’s birth within a contemporary political frame draws focus to current administrative priorities. They argue that the holy family’s experience as displaced persons parallels the real fears and realities of many households today, encompassing family separation and the removal of breadwinning loved ones.
It is not the first time congregations have used nativity scenes for social commentary. Previously, installations have addressed issues ranging from conflict to the environmental emergency.
Encountering Criticism and Enduring the Elements
The statements are not always widely accepted. A church minister involved commented that some detractors either misinterpret the message or “consider it very challenging to their conscience and are reacting negatively at the art rather than considering what the true message is.”
In a physical way, the weather have also impacted one display. At a separate church, the statue of St. Joseph was knocked over in a windstorm and was unable to be restored. A replacement sign now occupies the space, declaring: “Joseph didn’t make it. We keep this place to memorialize all the those affected of immigration enforcement actions.”
